A great set to work on (Keith Harris), including a rake. Playing the lead, I had to put my money where my mouth was. I adapted the Young Siward dialogue to a 4 on 1 fight, setting up Macbeth's absolute belief in his "charmed life". First blood in the final fight was cutting Macbeth's hand; his story begins and ends with blood on his hands.
Photographs courtesy of Don Lintner
Director - Gale Childs-Daly, Scenic Design - Keith Harris, Lighting Design - Zanna King/Skelly Warren, Costume Design - Judith Tucker-Snider, Makeup - Aaron Greenberg, Properties - Mike Sadler