Pericles is a challenging play filled with sea journeys and storms, and (like Winter's Tale) spans decades, travels to other countries, includes a wife coming back from the dead, and shifts protagonists halfway through. This piece of Shakespeare (not entirely by Shakespeare) is considered one of his "problem plays" and is rarely produced. I was eager to take a crack at it on the Marquette stage.
Our "Gower", the play's chorus, was the ensemble telling our tale in a theatrical style. The story includes an offstage joust, which I turned into an onstage melee, which segued into a playful pillow fight. It also includes an incredibly touching reunion between father and daughter.
Despite its epic scale and parade of kings, I saw this story as a lesson in good (and bad) parenting, and by extension, good and bad governing.
Our "Gower", the play's chorus, was the ensemble telling our tale in a theatrical style. The story includes an offstage joust, which I turned into an onstage melee, which segued into a playful pillow fight. It also includes an incredibly touching reunion between father and daughter.
Despite its epic scale and parade of kings, I saw this story as a lesson in good (and bad) parenting, and by extension, good and bad governing.
Scenic Design - Stephen Hudson-Mairet, Costumes - Rebecca Gardner, Lighting - Cor Christophe